Traduzione e soggettività. Ancora su Pasolini e il cinema

Abstract

This paper reconstructs the debate raised by the thesis on cinema proposed by Pier Paolo Pasolini. In particular, two basic notions are addressed: the idea of cinema as a 'written language of reality' and the role of free indirect discourse for the establishment of a 'poetry cinema'. Pasolini is put into dialogue with Gilles Deleuze, Paolo Fabbri and other semiologists.