On the Bride’s side? Fra politica della dislocazione ed etica del posizionamento

Abstract

This paper aims at critically exploring the network geographies underlying the production, distribution and consumption of the Italian docu-film "On the Bride’s side". Through a successful crowdfunding campaign and hundreds of screenings throughout Europe, the docu- film has given rise to a wide diasporic public sphere. It is here that mainstream practices and alternative imaginations combine each other and unveil the complex and contested production of the cultural field