La poetica morfologica di Inger Christensen come derealizzazione della modernità estetica

Abstract

The paper provides a morphological interpretation of Inger Christensen's poetics. Through the analysis of some key concepts of her poetic and essayistic production - starting precisely from the concept of "derealization" - we intend to show the relevance of the methodological model of morphology for the understanding of the theoretical tensions of our time. To this end, a particular analysis is also dedicated to some of the author's posthumous works and fragments, recently published in a Danish edition.