Monsieur Ibrahim: un racconto sufi tra narrativa, cinema e teatro

Abstract

This essay examines the Sufi narrative of "Ibrahim" through its adaptations in literature, cinema, and theater. It delves into the story's origins, its cultural and religious significance, and how its themes are portrayed across different artistic media. The analysis highlights the narrative's core Sufi principles, such as the pursuit of divine love, self-transformation, and spiritual enlightenment. By comparing the storytelling techniques and interpretive choices in narrative, film, and theatrical renditions, the essay underscores the versatility and enduring relevance of "Ibrahim" in conveying profound mystical insights.