Saint Martin, saint Fridien et la Sainte Face. La cathédrale de Lucques et la dédicace martinienne

Abstract

This essay explores the historical and religious significance of the Cathedral of Lucca, specifically focusing on its dedication to Saint Martin. It delves into the intertwining of the cults of Saint Martin, Saint Fridianus, and the Holy Face, highlighting how these figures and their associated rituals played a crucial role in the religious and civic identity of Lucca. The paper examines the architectural and liturgical reforms initiated by Anselmo da Baggio (Pope Alexander II), which emphasized the cathedral's role as a center of orthodoxy and charity. By analyzing historical documents and architectural elements, the study reveals how the veneration of Saint Martin was strategically enhanced to support the broader ecclesiastical reforms and the socio-political agenda of the time.