Di un certo lasciare. Su Jean-Luc Marion

Abstract

The author recalls Jean-Luc Marion's work starting from three coordinates; history, theory, poetry. She shows how, in his work, poetry acts in the heart of phenomenology, presenting itself as a binding possibility of an unconditioned donation. The dialogue with Derrida that took place in Villanova is extremely interesting to this end because it reveals, after more than ten years, th questions, the difficulties, the inalienable objectives, that have led to the phenomenology of donation.