Dalle Cronache del mal d’amore al ciclo dell’Amica geniale: continuità ed evoluzione nella narrativa di Elena Ferrante

Abstract

The paper analyzes the whole narrative production of Elena Ferrante, emphasizing its unity and cohesion. Cohesion coexists with discontinuity: the publication of My Brilliant Friend marks an inventive turning point and reveals new strategies. But it’s even remarkable Ferrante’s predilection for a narrative in which «the flow of storytelling that despite its density manages to sweep you away».