Venti domande a Pasquale Culotta : un’intervista immaginaria

Abstract

In Culotta’s teaching, and also in his profession, the ancient city has always represented the architectural text par excellence, one of the most important tools for the education of the architect, from which to continuously draw materials to transform in his own interpretation of the project. This should also be true for the historic center of Palermo, despite the many issues you have presented to us. Do the unresolved aspects of the ancient city prevent us from finding more or less spontaneous seeds of renewal, even in these conditions of great hardship, or does it still represent a source of wealth, difficult to read but legible, for the architectural designer? In the Design Laboratory with which mechanisms does the teaching of architectural design manage to account for this richness and this complexity?